This is especially visible if the reduction is 4:1. There are several software solutions (some integrated within Photoshop) to downscale the image for web or other use, and while doing so to average-out the pixels in order to slightly reduce the perceived noise. Having greater resolutions means that you can downscale more to gain better quality in a smaller image. PSB which is a bit weird when it comes to compatibility.) Downscaling Your Images PSD can’t be bigger than 2GB, you’ll have to go to. With 50 megapixels, the Photoshop files with several layers can easily get up to 5GB, which will create some issues with saving (since. Of course, with the high resolutions you’ll get more quality, but the editing times and file sizes can be staggering. Yes, 300 DPI would be better, but with quality printers the difference isn’t noticeable. This is due to the fact that it allows you to have different sized prints: you can always downscale for smaller prints, but you still have the bigger ones as an option.įor example, the Canon 5Ds at maximum resolution will produce a print of 57.9″ x 38.6″ at 150 DPI, which is really great quality. For prints you really need the highest resolution possible. When it comes to printing, the game is completely different – everything that applied for web use doesn’t apply here. This is especially useful when you need those bursts at sports shows, car rallies and the like. This means that if time is of the essence, and the pictures are intended to be used on social media or similar web purposes which do not require higher resolutions, you can safely go to a smaller resolution (something around half of what your sensor is capable of, but make sure you keep it above 10 megapixels at least) and gain the benefits of smaller file sizes. Smaller file size means that writing to the SD/CF card is faster, transfers to the PC and editing are faster (due to the fact that it will require less resources) and that the images can be exported slightly faster to the desired size.įor a 1920×1080 file, a resolution of 11MP is more than enough, plus it speeds up the workflow by a half, if not more. On the other hand, if I shoot mRAW (11MP, ~16MB per RAW file), it cuts the load times, preview creations, export, increases the number of files per SD/CF card, while also filling up the buffer of the camera more slowly thus allowing me to have almost infinite bursts. But in order to have both, I need to make compromises: If I use the highest resolution I can get (20.2MP, ~30MB per RAW file, I’m allergic to JPEG) I get a slightly better noise performance (due to downscaling) but nothing that can be easily noticed if you don’t compare the images side by side. In this case, speed is imperative, and quality as well. Parties and events tend to upload the pictures right after the event to keep the momentum of the audience until the next event comes by. Most of the gigs I shoot are for web use, particularly social media. This course will run through what you need to know about using Lightroom – “ Super Photo Editing Skills“. Not a big concern when you’re printing an image for a large billboard, but when you have to process 1000+ shots from an event, it gets tiresome fast.īefore we start, learning the essentials of post processing is crucial when trying to understand how you should be optimizing your exported output sizes of your photographs. In fact, you’ll need lenses of the utmost quality, most of which cost a fortune.Īdditionally, higher resolutions = bigger files. High resolutions can provide a greater amount of detail, true, but in order to make the most of it, you’ll need higher quality lenses. Which is great, but the question remains, do you really need it? What all that means is a great amount of detail. If you are looking for a complete guide to improving your camera craft, then there is no better guide available than The Photo Tutorial Ebook by PictureCorrect.
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